Chidemaneh E01
In the arrangement, after completing the designed challenges, the guests earn points, buy home appliances with their points, and finally, the arrangement they make will be judged and polled by the judging panel and the audience of the program…
Performed by: Leila Utadi
With artist: Mojtaba Shafii
With the presence of: Youssef Timuri and Maryam Momen
Danlod Va Pakhshe Online
In the early 1970s, a New Iranian Cinema emerged (cinema motefävet). However, following the Revolution in 1979, a few filmmakers and actors went into exile as Khomeini altered the focus in features. Between 1979 and 1985, about 100 features were released. While Khomeini’s censorship remained, the small number of features produced focused on sexual display and European influence. In 1982, the annual Fajr Film Festival financed films. The Farabi Cinema Foundation then stepped in to try and reassemble the disorganized cinema. The following year, the government began to provide financial aid. This change in regime encouraged a whole new generation of filmmakers, which included female directors as well. With this, the focus shifted to children overcoming obstacles: true stories, lyrical, mystical drama, real-life problems, documentary footage, etc. Post-revolutionary Iranian cinema has been celebrated in many international forums and festivals for its distinct style, themes, authors, idea of nationhood, and cultural references. Starting With Viva… by Khosrow Sinai and followed by many excellent Iranian directors who emerged in the last few decades, such as Abbas Kiarostami and Jafar Panahi. Kiarostami, who some critics regard as one of the few great directors in the history of cinema, planted Iran firmly on the map of world cinema when he won the Palme d’Or at the Cannes Film Festival for Taste of Cherry in 1997. The continuous presence of Iranian films in prestigious international festivals such as the Cannes Film Festival, the Venice Film Festival, and the Berlin Film Festival attracted world attention to Iranian masterpieces .[permanent dead link]. In 2006, six Iranian films, of six different styles, represented Iranian cinema at the Berlin Film Festival.
